
256GB - Yung Lean
256GB is Yung Leanâs first book, tracing the artistâs evolution and continual reinvention. Yung Lean has generated a mass following as a cult icon. Poised between influence and infamy, his outsider status emerged from the internet-based culture of the early 2010s, characterised by its vaporwave aesthetic of nostalgia, surrealism and melancholia. Fusing sincere introspection with humour, his practice continues to resonate with audiences around the world.
Collating 574 images shot across iPhoneâs 6, 8, X & SE, the book exemplifies Yung Leanâs autonomous artistic production. Intimate, extemporary images stored in a personal photo library are reformulated into a classical book form. Produced in Italy, the bookâs material construction draws upon the 500-year-old tradition of bible-making at Legatoria Industriale Artigianaleâs premises in Cava deâ Tirreni. Red hot-foil typography graces a melanged green substrate. The spine paired with a red silk ribbon furthers the bookâs aesthetic resonance. Each copy of the book is accompanied by a silver sticker sheet as a token of viral ephemera provoking the bookâs classical endurance.
The erratic, temporal organisation of the camera roll is reformulated through the bookâs nine chapters across 596 pages, categorised by colour â red, orange, yellow, green, blue, purple, pink, black, and white. Encountered in this way, the bookâs images lose their impulsive quality and take on new signification as a cohesively structured volume. The logic of the bookâs index exaggerates the blunt dissonance of its contents. Images are categorised into a list, each referenced by an unambiguous word or phrase â âMe and Mumâ, âDead Fishâ and âTravisâ, echoing the candid, deadpan approach of Leanâs lyricism.
Produktinformationen
Produktinformationen
Versand & RĂŒckgabe
Versand & RĂŒckgabe
Description
256GB is Yung Leanâs first book, tracing the artistâs evolution and continual reinvention. Yung Lean has generated a mass following as a cult icon. Poised between influence and infamy, his outsider status emerged from the internet-based culture of the early 2010s, characterised by its vaporwave aesthetic of nostalgia, surrealism and melancholia. Fusing sincere introspection with humour, his practice continues to resonate with audiences around the world.
Collating 574 images shot across iPhoneâs 6, 8, X & SE, the book exemplifies Yung Leanâs autonomous artistic production. Intimate, extemporary images stored in a personal photo library are reformulated into a classical book form. Produced in Italy, the bookâs material construction draws upon the 500-year-old tradition of bible-making at Legatoria Industriale Artigianaleâs premises in Cava deâ Tirreni. Red hot-foil typography graces a melanged green substrate. The spine paired with a red silk ribbon furthers the bookâs aesthetic resonance. Each copy of the book is accompanied by a silver sticker sheet as a token of viral ephemera provoking the bookâs classical endurance.
The erratic, temporal organisation of the camera roll is reformulated through the bookâs nine chapters across 596 pages, categorised by colour â red, orange, yellow, green, blue, purple, pink, black, and white. Encountered in this way, the bookâs images lose their impulsive quality and take on new signification as a cohesively structured volume. The logic of the bookâs index exaggerates the blunt dissonance of its contents. Images are categorised into a list, each referenced by an unambiguous word or phrase â âMe and Mumâ, âDead Fishâ and âTravisâ, echoing the candid, deadpan approach of Leanâs lyricism.











