
The Crooked: Typefaces for Baseless Rumours
âThe Crooked: Typefaces for Baseless Rumorsâ from Bea Schlingelhoff is published on occasion of her exhibition at the Palais de lâAthĂ©nĂ©e, Geneva (29 Feb 29 â 30 Mar 2024) following her Prix de la SociĂ©tĂ© des Arts de GenĂšve award in 2023.
This artistâs book gathers together 366 capping phrases used for kĆan practice. A fundamental part of Zen Buddhism, kĆans and their associated capping verses are surprising and often perplexing riddles used as meditation tools. Selected by the artist from different sources including Victor SĆgen Horiâs landmark book âZen Sandâ (2003), she proposes one phrase for each day of a leap year.
Featuring a combination of phrases hand-drawn by Schlingelhoff, and others digitally set in a specially created typeface, this volume offers a manual for meditation, self-consciousness, paradoxical thinking, and intellectual speculation, as exemplified in such riddles as âTwo hands clap and there is a sound. What is the sound of one hand?â, âAppearing like spirits and vanishing like ghosts,â or âClose your mouth and say one word.â
As instilled in the title âThe Crooked: Typefaces for Baseless Rumorsâ and in tune with Schlingelhoffâs practice, the artist not only invites us to think about the contents of the phrases, but also to reflect on such a practice in our contemporary times.
Designed by Studio SMS (Amsterdam, Zurich), the publication also contains a short introduction about the principles of this Zen practice, and an index that includes the French and German translations of all the selected verses.
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Versand & RĂŒckgabe
Versand & RĂŒckgabe
Description
âThe Crooked: Typefaces for Baseless Rumorsâ from Bea Schlingelhoff is published on occasion of her exhibition at the Palais de lâAthĂ©nĂ©e, Geneva (29 Feb 29 â 30 Mar 2024) following her Prix de la SociĂ©tĂ© des Arts de GenĂšve award in 2023.
This artistâs book gathers together 366 capping phrases used for kĆan practice. A fundamental part of Zen Buddhism, kĆans and their associated capping verses are surprising and often perplexing riddles used as meditation tools. Selected by the artist from different sources including Victor SĆgen Horiâs landmark book âZen Sandâ (2003), she proposes one phrase for each day of a leap year.
Featuring a combination of phrases hand-drawn by Schlingelhoff, and others digitally set in a specially created typeface, this volume offers a manual for meditation, self-consciousness, paradoxical thinking, and intellectual speculation, as exemplified in such riddles as âTwo hands clap and there is a sound. What is the sound of one hand?â, âAppearing like spirits and vanishing like ghosts,â or âClose your mouth and say one word.â
As instilled in the title âThe Crooked: Typefaces for Baseless Rumorsâ and in tune with Schlingelhoffâs practice, the artist not only invites us to think about the contents of the phrases, but also to reflect on such a practice in our contemporary times.
Designed by Studio SMS (Amsterdam, Zurich), the publication also contains a short introduction about the principles of this Zen practice, and an index that includes the French and German translations of all the selected verses.











