
The Auto-Ethnographic Turn in Design
The Auto-Ethnographic Turn in Design is emerging from a growing recognition of designâs capacity to make sense of oneâs world while at the same time to express and convey this personal insight or knowledge through rich, layered, and ultimately meaningful processes or objects. more Auto-ethnographic design seeks to come to terms with oneâs context and selfâas well as the materiality that mediates these two. In doing so, it offers a vision of design that is free of commercial commissions, assumed usersâ needs, or well-intentioned do-goodism, and reveals a sincerity and genuine commitment in the process of design that is too often missing. The book is divided between âIdeas and Dialoguesâ (reflections and conversations between critics, theorists, educators, and practitioners), which ground conceptions of auto-ethnography and the âselfâ and explore how experiences can be relevant and meaningful starting points for design and visual art; and âProjects and Practices,â which embody auto-ethnographic qualitiesâwhereby design objects and practices are embedded with personal sentiments, experiences, desires, fears, and more.
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Description
The Auto-Ethnographic Turn in Design is emerging from a growing recognition of designâs capacity to make sense of oneâs world while at the same time to express and convey this personal insight or knowledge through rich, layered, and ultimately meaningful processes or objects. more Auto-ethnographic design seeks to come to terms with oneâs context and selfâas well as the materiality that mediates these two. In doing so, it offers a vision of design that is free of commercial commissions, assumed usersâ needs, or well-intentioned do-goodism, and reveals a sincerity and genuine commitment in the process of design that is too often missing. The book is divided between âIdeas and Dialoguesâ (reflections and conversations between critics, theorists, educators, and practitioners), which ground conceptions of auto-ethnography and the âselfâ and explore how experiences can be relevant and meaningful starting points for design and visual art; and âProjects and Practices,â which embody auto-ethnographic qualitiesâwhereby design objects and practices are embedded with personal sentiments, experiences, desires, fears, and more.











