
Souvenirs - Elisabeth Louise Vigee Le Brun (ekphrasis series)
A selection from the memoir of Ălisabeth Louise VigĂ©e Le Brun, the renowned eighteenth-century French portraitist and one of the most important women painters in art history
In her memoir, VigĂ©e Le Brun offers a candid and thoroughly enjoyable account of her life and art. She relates her encounters among the royalty and aristocracy she paintedââincluding, most famously, her patron Marie Antoinetteââand the effusive reception they extended to her across Europe. Forced to flee during the French Revolution, VigĂ©e Le Brun traveled through Italy, Russia, Germany, and England, returning twelve years later to France under Napoleon I. These pages demonstrate her unflagging creativity during unstable times and her remarkable savvy. Her observations provide unique insight into the art world of eighteenth- and nineteenth-century Europe, a time when women were rarely allowed success.
In her introduction to this volume, the scholar Anne Higonnet conveys VigĂ©e Le Brunâs unique position at a turning point in the art world, as well as the larger world beyond, and navigates in particular how one retroactively reconstructs a relationship to a world-changing revolution.
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Description
A selection from the memoir of Ălisabeth Louise VigĂ©e Le Brun, the renowned eighteenth-century French portraitist and one of the most important women painters in art history
In her memoir, VigĂ©e Le Brun offers a candid and thoroughly enjoyable account of her life and art. She relates her encounters among the royalty and aristocracy she paintedââincluding, most famously, her patron Marie Antoinetteââand the effusive reception they extended to her across Europe. Forced to flee during the French Revolution, VigĂ©e Le Brun traveled through Italy, Russia, Germany, and England, returning twelve years later to France under Napoleon I. These pages demonstrate her unflagging creativity during unstable times and her remarkable savvy. Her observations provide unique insight into the art world of eighteenth- and nineteenth-century Europe, a time when women were rarely allowed success.
In her introduction to this volume, the scholar Anne Higonnet conveys VigĂ©e Le Brunâs unique position at a turning point in the art world, as well as the larger world beyond, and navigates in particular how one retroactively reconstructs a relationship to a world-changing revolution.











