
Sara. Corpo e Mondo
Sara. Corpo e Mondo is the title of Dario Salamoneâs new book, a photographic series taken in Spring 2019 and portraying a young woman offering her fully naked body to the gaze of the camera, on a deserted beach.moreThe title is a nod to the protagonist, Sara, as much as a reference to the projectâs subject of investigation, namely the importance of the body, and its centrality in the shaping of human experiences. Across the bookâs images, taken in just a few hours over a non-stop session, Sara opens to an effortless dialogue with the photographer. Intense and yet delicate, they become part of a continual aesthetic exploration, as much as a place for reflection upon the very concept of bodihood, its biological relevance, and its social and cultural implications. As a way of expanding these fundamental themes, Salamone invited some guests to join the project and contribute to the book. Critic Riccardo Conti and philosopher Emanuele Coccia added new layers of interpretation to the series, engaging in a dense conversation around the role of nudity in the theories of the âgazeâ, and tracing back its relevance across the history of image production, starting from the photographerâs choice to deconstruct the representation of femininity in western iconography.
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Description
Sara. Corpo e Mondo is the title of Dario Salamoneâs new book, a photographic series taken in Spring 2019 and portraying a young woman offering her fully naked body to the gaze of the camera, on a deserted beach.moreThe title is a nod to the protagonist, Sara, as much as a reference to the projectâs subject of investigation, namely the importance of the body, and its centrality in the shaping of human experiences. Across the bookâs images, taken in just a few hours over a non-stop session, Sara opens to an effortless dialogue with the photographer. Intense and yet delicate, they become part of a continual aesthetic exploration, as much as a place for reflection upon the very concept of bodihood, its biological relevance, and its social and cultural implications. As a way of expanding these fundamental themes, Salamone invited some guests to join the project and contribute to the book. Critic Riccardo Conti and philosopher Emanuele Coccia added new layers of interpretation to the series, engaging in a dense conversation around the role of nudity in the theories of the âgazeâ, and tracing back its relevance across the history of image production, starting from the photographerâs choice to deconstruct the representation of femininity in western iconography.











