
Objects in Time - Lighting the Archive
Lighting the Archive, which went online in 2020, is an open-ended series of conversations with artists like Annette Kelm, Elfie Semotan, Wolfgang Tillmans, and Ulrich WĂŒst about photographic techniques, structures of order, and materialities. The conversations are invariably framed by questions about where the photographers see their lifeâs works and legacies over the long termâwhat, in other words, is to become of their oeuvres one day. In Exposing Tears, Lighting the Archive engage the writer and curator Mike Sperlinger in dialogue. Sperlinger studied the careers of the photographers Marianne Wex and Chauncey Hare through the lens of the art marketâs economy of attention and interwove biographical facts with external circumstances shaping their paths, including their withdrawals from the art system and their eventual rediscovery as âforgotten artists.â An essay by Mike Sperlinger relates how the latter was possible; Lighting the Archiveâs Maren LĂŒbbke-Tidow and Rebecca Wilton spoke to the author to discuss the central role that the question of the archive played in his efforts.
Produktinformationen
Produktinformationen
Versand & RĂŒckgabe
Versand & RĂŒckgabe
Description
Lighting the Archive, which went online in 2020, is an open-ended series of conversations with artists like Annette Kelm, Elfie Semotan, Wolfgang Tillmans, and Ulrich WĂŒst about photographic techniques, structures of order, and materialities. The conversations are invariably framed by questions about where the photographers see their lifeâs works and legacies over the long termâwhat, in other words, is to become of their oeuvres one day. In Exposing Tears, Lighting the Archive engage the writer and curator Mike Sperlinger in dialogue. Sperlinger studied the careers of the photographers Marianne Wex and Chauncey Hare through the lens of the art marketâs economy of attention and interwove biographical facts with external circumstances shaping their paths, including their withdrawals from the art system and their eventual rediscovery as âforgotten artists.â An essay by Mike Sperlinger relates how the latter was possible; Lighting the Archiveâs Maren LĂŒbbke-Tidow and Rebecca Wilton spoke to the author to discuss the central role that the question of the archive played in his efforts.











