
Makeup 1989-2005 - Inge Grognard
âInge Grognard, Makeup 1989â2005â features the formative work of one of the fashion worldâs most revered makeup artists. From the first days of âMaison Martin Margiela through to contemporary Balenciaga, Inge Grognard has spent her career as an integral part of âfashionâs avant garde.
Grognardâs aesthetic approach revolutionised makeup in the nineties and this book documents her work at that time, featuring imagery from campaigns, runways and editorials for brands such as Raf Simons, Dries Van Noten, Maison Martin Margiela and A.F.âVandevorst.
With an introduction by Olivier Zahm, Co-founder and Editor-in-Chief, âPurple Fashion Magazine.
âInge Grognard is the name ofâ a beauty revolution. A peer of the Antwerp Six, her work marked both a brutal break with traditional beauty conventions and a leap into the future, with an aesthetic that is still defining the beauty of tomorrowâ: a beauty permanently reinvented and freed from social conventions and imposture.â â Olivier Zahm
Produktinformationen
Produktinformationen
Versand & RĂŒckgabe
Versand & RĂŒckgabe
Description
âInge Grognard, Makeup 1989â2005â features the formative work of one of the fashion worldâs most revered makeup artists. From the first days of âMaison Martin Margiela through to contemporary Balenciaga, Inge Grognard has spent her career as an integral part of âfashionâs avant garde.
Grognardâs aesthetic approach revolutionised makeup in the nineties and this book documents her work at that time, featuring imagery from campaigns, runways and editorials for brands such as Raf Simons, Dries Van Noten, Maison Martin Margiela and A.F.âVandevorst.
With an introduction by Olivier Zahm, Co-founder and Editor-in-Chief, âPurple Fashion Magazine.
âInge Grognard is the name ofâ a beauty revolution. A peer of the Antwerp Six, her work marked both a brutal break with traditional beauty conventions and a leap into the future, with an aesthetic that is still defining the beauty of tomorrowâ: a beauty permanently reinvented and freed from social conventions and imposture.â â Olivier Zahm











