
Lost World - John Stezaker
British Conceptual artist John Stezaker (b. 1949) is known for his distinctive, often deceptively simple, collages. He has been making art since the 1970s, but achieved prominence relatively recently. In 2011, he had a retrospective at the Whitechapel Gallery, London, and, in 2012, he won the Deutsche Börse Photography Foundation Prize, even though he does not take photographs. Stezaker says collage is about âstuff that has lost its immediate relationship with the worldâ and involves âa yearning for a lost worldâ. A collector, he works from an archive of out-of-date imagesâmostly old film stills, vintage actor head shots, and antique postcards. These images come in standard sizes and are highly conventionalisedâall variations on themes. Art critic David Campany says, Stezaker âis drawn to that very slim space between convention and idiosyncrasy.â In addition to collages, Lost World includes poignant found-object-sculptures: a selection of antique mannequin hands, offering a repertoire of gestures. Thereâs also a film, Crowd, presenting hundreds of film stills of crowd scenes, each for one frame only, in a bewildering blur.
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Versand & RĂŒckgabe
Versand & RĂŒckgabe
Description
British Conceptual artist John Stezaker (b. 1949) is known for his distinctive, often deceptively simple, collages. He has been making art since the 1970s, but achieved prominence relatively recently. In 2011, he had a retrospective at the Whitechapel Gallery, London, and, in 2012, he won the Deutsche Börse Photography Foundation Prize, even though he does not take photographs. Stezaker says collage is about âstuff that has lost its immediate relationship with the worldâ and involves âa yearning for a lost worldâ. A collector, he works from an archive of out-of-date imagesâmostly old film stills, vintage actor head shots, and antique postcards. These images come in standard sizes and are highly conventionalisedâall variations on themes. Art critic David Campany says, Stezaker âis drawn to that very slim space between convention and idiosyncrasy.â In addition to collages, Lost World includes poignant found-object-sculptures: a selection of antique mannequin hands, offering a repertoire of gestures. Thereâs also a film, Crowd, presenting hundreds of film stills of crowd scenes, each for one frame only, in a bewildering blur.











