
Hujar: Contact
Hujar:Contact explores the Morgan Library & Museumâs extensive archive of original contact sheets and job books made by the beloved photographer Peter Hujar between 1954 and 1986, which come together to form an enthralling visual document of the artistâs creative process. Hujarâs empathetic eye focused in on varying subjects â crowds of protest, damaged relics, farm animals â but above all he was preoccupied with making portraits of the overlapping circles of artists, writers, and underground luminaries he moved within in New York. Accompanying critical texts by Joel Smith establish a chronology of Hujarâs contact sheets, presenting an artist developing, experimenting with, and refining his practice against the tumultuous cultural politics and sea changes of gay life conveyed by the words âStonewallâ and âAIDSâ.
Throughout his career Hujar recorded more than a thousand photo shoots in his job books. These documents, transcribed and annotated by Olivia McCall, illuminate the contact sheets, rich in never-before-seen images as well as the earliest iterations of Hujarâs most iconic works, including portraits of Susan Sontag, David Wojnarowicz, Candy Darling, Gary Indiana, Fran Lebowitz, and Paul Thek. This volume provides captivating insight into a master at work, forming an immersive chronicle of Hujarâs poignant efforts to connect, through photography, with the creative communities that defined his life, outlook, and art.
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Description
Hujar:Contact explores the Morgan Library & Museumâs extensive archive of original contact sheets and job books made by the beloved photographer Peter Hujar between 1954 and 1986, which come together to form an enthralling visual document of the artistâs creative process. Hujarâs empathetic eye focused in on varying subjects â crowds of protest, damaged relics, farm animals â but above all he was preoccupied with making portraits of the overlapping circles of artists, writers, and underground luminaries he moved within in New York. Accompanying critical texts by Joel Smith establish a chronology of Hujarâs contact sheets, presenting an artist developing, experimenting with, and refining his practice against the tumultuous cultural politics and sea changes of gay life conveyed by the words âStonewallâ and âAIDSâ.
Throughout his career Hujar recorded more than a thousand photo shoots in his job books. These documents, transcribed and annotated by Olivia McCall, illuminate the contact sheets, rich in never-before-seen images as well as the earliest iterations of Hujarâs most iconic works, including portraits of Susan Sontag, David Wojnarowicz, Candy Darling, Gary Indiana, Fran Lebowitz, and Paul Thek. This volume provides captivating insight into a master at work, forming an immersive chronicle of Hujarâs poignant efforts to connect, through photography, with the creative communities that defined his life, outlook, and art.











