
Gerald Summers & Marjorie Butcher: Makers of Simple Furniture 1931-1940
In 1931, the English designer Gerald Summers (1899â1967) and his partner, Marjorie Butcher (1909â96), opened their London shop Makers of Simple Furniture. A small company, they produced made-to-order furniture in limited quantities. Until the firmâs closing in 1940, Makers of Simple Furniture produced hundreds of ingenious furniture designs in plywood. Conceived, in Summersâ words, as âfurniture for the concrete age,â this singular body of work shaped the notion of the modern interior in Britain.
Makers of Simple Furniture tells for the first time the compelling story of the firm and its dedicated proprietors. Drawing on Butcherâs vivid recollections and a wealth of unpublished materialâincluding never-before-seen images, personal correspondence, workshop documents and illustrated specification sheetsâthe book reveals the magnitude of their achievements and restores a neglected chapter in the history of modern design. This publication is made possible in part by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.
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Description
In 1931, the English designer Gerald Summers (1899â1967) and his partner, Marjorie Butcher (1909â96), opened their London shop Makers of Simple Furniture. A small company, they produced made-to-order furniture in limited quantities. Until the firmâs closing in 1940, Makers of Simple Furniture produced hundreds of ingenious furniture designs in plywood. Conceived, in Summersâ words, as âfurniture for the concrete age,â this singular body of work shaped the notion of the modern interior in Britain.
Makers of Simple Furniture tells for the first time the compelling story of the firm and its dedicated proprietors. Drawing on Butcherâs vivid recollections and a wealth of unpublished materialâincluding never-before-seen images, personal correspondence, workshop documents and illustrated specification sheetsâthe book reveals the magnitude of their achievements and restores a neglected chapter in the history of modern design. This publication is made possible in part by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.











