

Being Material
Being Material is an exceptional exploration of the many ways of being material in the digital age. In his oracular 1995 book Being Digital, Nicholas Negroponte predicted that social relations, media, and commerce would move from the realm of âatoms to bitsââthat human affairs would be increasingly untethered from the material world. moreAnd yet in 2019, an age dominated by the digital, we have not quite left the material world behind. In Being Material, artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material thingsâconstituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more. The contributors explore five modes of being material: programmable, wearable, livable, invisible, and audible. Their contributions take the form of reports, manifestos, philosophical essays, and artist portfolios, among other configurations. The bookâs cover merges the possibilities of paper with those of the digital, featuring a bookmark-like card that, when âseenâ by a smartphone, generates graphic arrangements that unlock films, music, and other dynamic content on the bookâs website. At once artistâs book, digitally activated object, and collection of scholarship, this book both demonstrates and chronicles the many ways of being material.
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Versand & RĂŒckgabe
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Description
Being Material is an exceptional exploration of the many ways of being material in the digital age. In his oracular 1995 book Being Digital, Nicholas Negroponte predicted that social relations, media, and commerce would move from the realm of âatoms to bitsââthat human affairs would be increasingly untethered from the material world. moreAnd yet in 2019, an age dominated by the digital, we have not quite left the material world behind. In Being Material, artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material thingsâconstituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more. The contributors explore five modes of being material: programmable, wearable, livable, invisible, and audible. Their contributions take the form of reports, manifestos, philosophical essays, and artist portfolios, among other configurations. The bookâs cover merges the possibilities of paper with those of the digital, featuring a bookmark-like card that, when âseenâ by a smartphone, generates graphic arrangements that unlock films, music, and other dynamic content on the bookâs website. At once artistâs book, digitally activated object, and collection of scholarship, this book both demonstrates and chronicles the many ways of being material.











