
Atlas
In 2012, Philippe SeÌclier visited Tadao Andoâs iconic Church of the Light, and was immediately compelled to journey around the world to further study the architectâs buildings. This unique presentation of Andoâs work is the result of what turned into a nine-year project to more photograph 130 buildings. Walking around each structure, trying to find the proper framing, helped SĂ©clier understand Andoâs genius for siting and composition. Loosely organized by chronology, each building is represented in numerous black and white images, arranged like a mosaic on the page. These fragmented views correspond to Andoâs own philosophy of the logic of structure and geometry. This »atlas« embraces not only the geographic but also thematic range of Andoâs oeuvreâfrom transit stations in Tokyo and Kobe to art museums in Fort Worth, Texas and Provence, France; from an artistsâ retreat on the Mexican coast to the now-demolished Piccadilly Gardens in Manchester, England; from a theater in Milan, Italy, to an upscale restaurant in New York City. SeÌclierâs photographs of Andoâs numerous religious structures brilliantly illustrate his use of light and shadow to evoke spiritual depth and timelessness while his short texts offer concise observations of each building. A helpful appendix pinpoints the geographic diversity and range of Andoâs oeuvre.
Produktinformationen
Produktinformationen
Versand & RĂŒckgabe
Versand & RĂŒckgabe
Description
In 2012, Philippe SeÌclier visited Tadao Andoâs iconic Church of the Light, and was immediately compelled to journey around the world to further study the architectâs buildings. This unique presentation of Andoâs work is the result of what turned into a nine-year project to more photograph 130 buildings. Walking around each structure, trying to find the proper framing, helped SĂ©clier understand Andoâs genius for siting and composition. Loosely organized by chronology, each building is represented in numerous black and white images, arranged like a mosaic on the page. These fragmented views correspond to Andoâs own philosophy of the logic of structure and geometry. This »atlas« embraces not only the geographic but also thematic range of Andoâs oeuvreâfrom transit stations in Tokyo and Kobe to art museums in Fort Worth, Texas and Provence, France; from an artistsâ retreat on the Mexican coast to the now-demolished Piccadilly Gardens in Manchester, England; from a theater in Milan, Italy, to an upscale restaurant in New York City. SeÌclierâs photographs of Andoâs numerous religious structures brilliantly illustrate his use of light and shadow to evoke spiritual depth and timelessness while his short texts offer concise observations of each building. A helpful appendix pinpoints the geographic diversity and range of Andoâs oeuvre.











