
Aperture #250 2023
This spring Aperture magazine presents âWe Make Pictures in Order to Liveâ an issue that nods to the late, celebrated writer Joan Didion and looks at photographyâs relationship to storytelling. âWe live entirely, especially if we are writers,â Didion writes in her iconic essay âThe White Album,â âby the imposition of a narrative line upon disparate images, by the âideasâ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.â Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair OâNeill, as well as features on Adraint Bereal and Charles âTeenieâ Harris.
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Description
This spring Aperture magazine presents âWe Make Pictures in Order to Liveâ an issue that nods to the late, celebrated writer Joan Didion and looks at photographyâs relationship to storytelling. âWe live entirely, especially if we are writers,â Didion writes in her iconic essay âThe White Album,â âby the imposition of a narrative line upon disparate images, by the âideasâ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.â Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair OâNeill, as well as features on Adraint Bereal and Charles âTeenieâ Harris.











